ENTERING THE SUPERNATURAL

There is a door that divides the natural realm from the realm of the Spirit. It was very real for the apostle John (Rev. 4:1-2). He looked and saw an open door in the heavens, and a voice said “come up here”. Like if God was saying, “Down there you can not see what I want to show you, you need to come up here; you have to pass through the door and enter into My world.”

John, prior to this experience heard Jesus say, ‘I am the door…’ (Jn. 10:9), but now, he was finally beginning to understand the magnitude of what the Master had said.

When John passed through the door, he left the world of reason and entered the world of the Spirit… He left the natural in order to enter the supernatural. In the twinkling of an eye, John found himself before the throne of God and beheld the worship of heaven. Was this experience just for John? Of course not…

EXPERIENCING THE POWER OF INSTRUMENTAL MUSIC 2.0

It is not easy to describe it, but while I am ministering to the Lord with the piano (during a corporate worship service or in my personal devotions), there are moments in which He opens a door in the realm of the Spirit and invites me to come up.

Upon passing through the door… it is no longer I following Him, but rather He carries me. The harmony and the melody begin to flow with an indescribable freshness, difficult to express.

It is like a powerful river of which I am in the middle and its current takes me wherever it wants. It is like extending my wings and flying impulsively on the wind without limits or pressure, in perfect liberty.

SOARING IN THE HOLY SPIRIT LIKE AN EAGLE

The Scriptures declare: “Those who wait upon the Lord will rise up wings like eagles.”(Is.40:31). The eagle extends its wings and surrenders itself to the power of the wind, at high levels, where the air currents are very strong. She moves its wings to reach the level of the current, but when it gets there, it extends its wings and allows the wind to propel it along.

In this way, the eagle arrives to heights that could not be reached otherwise. Something similar happens in the realm of the Spirit…

I can extend my wings and surrender myself to the wind of the Holy Spirit without any effort because it is He who moves me. In doing so… the harmony reaches new heights and then descends majestically. After descending, many times the music will begin to intensify (in crescendo) again, gaining more strength and power in proportion to the increase of the Spirit.

It is as if the Lord (above all, in services of corporate worship) wraps up all those present in His wings, lifting them to new heights of the glory of God. This instrumental music becomes inexpressible, powerful, majestic, and glorious.

At other times, it is as if the Cloud rests upon a chord, giving it sharpness and depth and bringing a holy silence to the place. Then He begins to descend like sweet dew, full of the presence of God. (Ps. 133:3). The music flows and tenderizes the hearts of the people, preparing the ground so that the seed of life will fall on good earth. As the book of Numbers declares: ‘And when the dew fell on the camp in the night, the manna fell on it’ (Num. 11:9). When the dew of His presence drenches the human heart, then it is ready to receive divine nourishment- the Word of God.

This powerful heavenly music finds different expressions through every prophetic musician. What I’ve shared it’s just the testimony of my own experience-which is just a drop in a big ocean…

It takes all of us to express the fullness and richness of this sound from heaven.

Pablo Perez – Producer of several instrumental recordings. NOW YOU CAN Listen and Experience Instrumental Music 2.0 by watching INSTRUMENTAL MUSIC TV

The band that I formed five years ago has been lucky enough to be played on some local stations. Although luck is not the correct word. We have worked pretty hard to meet the right people who have been able to get us on the air. It was our bravest move.

New bands face an uphill climb because radio stations often do not put unknowns into their rotation. Usually those bands that you hear on the radio are not essentially the most talented. Often, they are the ones with the most financial backing and marketing efforts.

One of the most awesome resources I have found online is IMRadio. This web site says that it is by musicians, for musicians, and it really is. Some of our song files are now receiving free radio airplay in more than 100 countries when I registered an account and uploaded them into IMRadio’s rotation.

As a music lover, I like being able to hear other new artists, and appreciate their talent. IMRadio also features poets and comedians on the web site. Then I recommended IMRadio to some of the acts that I usually see around town, particularly the clubs and it is nice to see a following build up for IMRadio.

My band has a growing fan base now and I am became more excited to see that my band was given the chance to be heard. IMRadio has a message forum, giving the bands and their fans a communication venue as well for the bands to communicate with other bands.

If you see yourself as a budding musician or has a band that has been around for quite a while, IMRadio can boost you up and your band’s spirit and talent. You will not feel any bit of difficulty in joining, uploading your song files, have your music into rotation, and be heard.

And if you are a music lover, be sure to stop by IMRadio and join. The talented groups will really amaze you.

Unsigned performers, poets and comedians are benefiting the advantages granted by IMRadio.com free membership. Paddy Noonan, a performer, initiated this Internet radio, which is a place for all artists to upload their original works for free radio airplay.

We have all done this in our lives, whether it was working hard to get good grades in school, or save up and buy your first guitar, whatever, you have done it, unintentionally. Once you learn how we use this method for playing fast, apply it to all your guitar skills you want to improve, like strumming, scales, etc.

Another way to improvise on the piano is to play a game I call “Finish the Melody.” To do this, play one note. Then, let go of that note and play it again, followed by another note. Then let go again and play those two notes adding another note. Continue in this fashion until you can not remember all of your melody. Then start a new one. Maybe this melody starts on a new note. If you are a good singer, singing helps develop your melodies. So, sing.

The above factors may be acceptable to students with musical aspirations but not to the recreational guitar player. In fact there are more people who want to play the guitar as a recreation. They need to learn how to play the guitar through a method which is convenient as well as not expensive. The online guitar courses are the best choice for this group of people.

The most important key to improvising is to be kind to yourself. Avoid judgments of what you are creating. Statements like, “That’s no good;” “That’s too simple;” and “Yeah, but it’s not _________” (fast, fancy, pretty) can shut down the creative process before it even gets started.

For some challenging goals or super hard riffs, you may have to take breaks for a few minutes, or even work consecutively for days on them to get them fast and clean, just remember to start slow, began where you left off, or slower, and keep going. Well, I hope this helps uncover the secrets of playing guitar fast. You can play fast, if you will only go slow and be disciplined. As Bruce Lee said, “Faith is a state of mind that can be conditioned through self-discipline. Faith will accomplish.

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The Piano Concerto for the Left Hand in D Major, by French composer Maurice Ravel, is a testament not only to Ravel’s brilliance, but also to the indomitable will of the man who commissioned it.

Before the turn of World War I, a concert pianist named Paul Wittgenstein had showed promise. Unfortunately, by the time the war was over, he had lost his right arm during the fighting. While most people would give up their dreams, he still believed he could be an exceptional pianist.

Determined to succeed, he began practicing with his remaining hand to improve his left-handed technique. He tried to arrange two-handed works to accommodate his one-handed state. In the late’20’s Wittgenstein decided to approach leading piano composers of his day and commission works written intentionally for the left hand alone.

Many felt this would not be feasible, but he eventually came across Sergei Prokofiev, Richard Wagner, Benjamin Britten, and Maurice Ravel who believed it was possible.

Ravel himself had never written a concerto before, but several piano solos. During this time he had been working on the Concerto in G, which of course was intended to be played with two-hands. After hitting a wall, he decided Wittgenstein’s challenge may be what he needed to push forward. His research was uncanny, and as he studied the left-handed Etudes of Camille Saint-Saens, he believed his left-handed Concerto would be a noteworthy addition to piano repertoire.

Once complete, his masterpiece portrayed a dark piece of work about the struggles of a one-armed pianist. It was also about the long road to reinventing himself after a tragic injury. Turns out the craftsmanship was brilliant, and listeners couldn’t even tell it was being played by someone with one hand.

The biggest factor that allowed this to work, was the break-up into 3 sections. Normally, other concerto would have a Fast-Slow-Fast movement, but the Piano Concerto for the Left Hand was set up as Slow-Fast-Slow.

Wittgenstein was a client who was famously difficult to please. He found something to complain about in almost every concerto offered to him by his all-star line-up of composers. With Wagner’s work, Wittgenstein complained that the orchestration was too powerful to accompany a single-handed pianist, and would overpower the soloist. With Prokofiev’s work, Wittgenstein declared that he simply would not play it.

Even the initial thought behind the Piano Concerto for the Left Hand was negative. Wittgenstein believed the solo cadenza after the opening was too long. In fact, he told Ravel; “If I had wanted a solo piece, I wouldn’t have commissioned a concerto.” However, Ravel refused to change, and over time Wittgenstein began to like it.

In the end, the Concerto for the Left Hand was a true testament to the human spirit of, and more than just the overcoming nature of one man.

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The most particular look of an acoustic guitar would be its single sound hole, as well as the 6 strings most acoustic guitars stand to have. There are really assorted classes of acoustic guitars in the world, the most well liked of which would be the steel string and the classical kinds of acoustic guitars.

Steel stringed acoustic guitars, as their name already explains it all, are acoustic guitars fitted with steel strings. They frequently come in numerous shapes, and might be made of assorted materials, the hottest of which would be wood. They also have narrow necks, and produce a definite sound. Classical acoustic guitars differ form steel stringed acoustic guitars in the way that classical acoustic guitars have wider necks, and use nylon strings, instead of steel stringed guitars. They also produce more softer sounds compared to steel stringed acoustic guitars, making them ideal for playing classical pieces. Rock, Country, Alternative and general pop put up with steel stringed acoustic guitars. People , Ragtime and country blues employ classical acoustic guitars, as the finger picking nature of these genres are good for classical acoustic guitars.

Basically, the bodies of acoustic guitars are hollow, permitting for the resonance of the sounds produced by the acoustic guitar strings. Unlike electrical guitars, acoustic guitars have their own method of amplification, in the shape of its hollow body. Smaller acoustic guitar bodies produce lower tones, while bigger body acoustic guitars are capable of manufacturing heavier / deeper tones. Come acoustic guitars are designed with cutaways, which basically impact the general sound of an acoustic guitar.

A puny sustain is also one of many things which outline acoustic guitars as what they are. A puny sustain means notes would simply face after being struck. Electrical guitars, joined with computer effects, have higher sustain values over acoustic guitars, but this doesn’t mean all acoustic guitars have this restriction. Certain acoustic guitars, like concert guitars, feature good sustain, resulting to good general performance.

If you are entertaining the though of learning to play the guitar, getting an acoustic guitar would be the best way to start, as acoustic guitars are the most basic of guitar types.

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Rap, Urban and Hip Hop styles: There are so many ways to alter drums to fit these genres. In fact, it’s easier than producing for anything else because some of these styles – hip hop and rap specifically – are basically just mixtures of different cultures and different music, and they contain sub-genres for all different types of music. So fitting samples to these genres is quite easy – most samples could pass for hip hop drum samples. To get an old-school type sound, you could really do it the authentic way and start chopping up vinyls – not physically, of course – just extract the audio using a turntable and look for the drum breaks to ‘chop.’

RnB and Soul: These styles are very different from the urban genres we’ve discussed. To start with, the obsession with bass-laden kick drums and snappy snares is not as evident when listening to these genres. You can go far by just using some well-shaped drum samples that are not over the top. Variance is the keyword here, with everything being coherent at the same time. There is not as much sound selection freedom here, however.

Dance: When we speak about dance, we usually mean the music played in late-night dance clubs in major cities around the world. One tradition here is to place the kick drum on every single beat, and this is a very easy technique to pick up. One sound quality that distinguishes dance is its openness to kick drum samples that have a pitch attached, and not as monotonous as in rap and hip-hop.

Using these tips to make and alter sounds is just part of the process, of course. What makes the rhythmic elements of these genres unique is the timing, signatures and syncopation, among other distinguishing characteristics.

Some closing words on drum samples: try to organize them neatly. If you can develop your own folder of go-to samples for different genres (or styles within a genre), you will save hours of searching as you make beats. Start making descriptive folders and become familiar with the way you organize.

Time for you to find out how to make your own beats! Start with a beginner’s tutorial, grab some nice sounds and let creativity do the rest. You’ll never ask “how can I make my own beats” again.

It is this “magic feeling” (to quote Paul McCartney) that has Beatles junkies extremely excited about the strong possibility of The Beatles 2009 remasters making their way onto vinyl records in in March of 2010. Although as of this moment no date for release has been officially set, it is believed that Apple (The Beatles Apple, not the computer company) is working on a vinyl release of The Beatles remastered stereo mixes but there’s no indication that the mono remasters will also be released on vinyl.

The Beatles LPs that are available at the moment were made using the old 1987 remasters so these 2010 vinyl records should be significantly improved in sound quality like the new discs are when compared to the 1987 CDs.

I am going to be ordering The Beatles Remastered Vinyl Box as soon as it is available to buy (as I’m sure it’ll sell out fast) despite the fact that I’ve already purchased all of these remasters on CD.

According to the interviews that I’ve read, the remastered Beatles vinyl will be available both individually and as a part of a box set (just like The Beatles remastered stereo CDs.) The rumored release date is in March of 2010 but there’s a good possibility that will not end up as the actual release date.

In the meantime I definitely recommend buying The Beatles Remastered Stereo Box Set and The Beatles Remastered Mono CD Box Set. They both sound awesome. I personally end up listening to stereo box set more commonly (as I just prefer hearing music mixed in stereo more than in mono, in general) but the mono CDs are very interesting to hear too.

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The numbers of websites that have mushroomed up today have grown exponentially and the reason for this is the burgeoning demand for top quality music downloads.

Price of each download is an important issue and though the major online music retailers offer you a wider variety of options they also provide these downloads at a higher price which means that in order to download all your favorite music you will have to spend a considerable amount of money.

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Notes make up the foundation of another critical part of any guitar song: Chords. Most guitar songs require you to know some chords. Chords are just a series of notes that are played in unison, and they sound very melodic when played correctly.

Any sort of play the guitar for newbs lessons you take will generally start you off with the straightforward to learn chords. The simplest guitar chords are G, C, D, and A. These are straightforward because they do not need you to use many fingers. Actually, these chords only need you to use three of your fingers.

You achieve playing chords by pushing down on the strings at the fret on the guitar neck. Then as you push down on those strings, you strum the strings located in front of the hole in the guitar body. It usually a good idea to start learning how to play guitar on an acoustic guitar first. Once you master the basics, you can then move on to an electric guitar, if you want.

Here is a good learn how to play guitar for amateurs tip regarding chords. Don’t press down on the strings too hard. Most newbies make the error of pushing down too hard. You’ve got to find the proper balance of pressure. This could take a little practice and time to become used to. If you press down too hard, or not hard enough, the chord will not sound right.

While playing the guitar leveling down the wrist of the left hand ( or right hand if you’re left handed ) is also advisable. This can put less tax on your hand. Many newbies don’t follow this step and that’s why the guitar makes a puzzling sound, instead of a good tune. It could also lead to discomfort and cramping in your hand. This is the reason why correct strategy is so important.

Beginners should practice the tunes that have less chord movements, like the chords that touch virtually the same fret. There are tons of these kinds of songs out there. Ultimately , try practicing with your eyes shut. Most pro guitar players pretty rarely look at the fret when they are playing. If they do glance at the fret, it’s generally because they need to play a difficult chord and they’re ensuring their finger placement is correct.

You should be able to memorize the hand movements of all chords. The finger and hand positions should become second nature to you. The secret to be able to play the guitar perfectly is by practicing every day. It also helps if you have excellent play guitar for beginners resources to use to learn how to play properly.

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